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31 Things To Draw for INKtober

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I’m joining artists around the world in  a 31-day creative adventure all throughout October. It’s called INKtober, an inky illustration challenge started by Jake Parker in 2009.  It originally started as a month-long exercise just for his own practice. Last year, I chose to draw something I hated because it’s something I find hard.  So for INKtober 2015, I completed 31 faces.  I still have not decided what to draw for this year’s 31-day challenge, though.

 

My personal goal for INKtober is to repeat for 31 times one thing I typically won’t draw as a form of practice.  Here are 31 days of:

  1. trees
  2. flowers
  3. things around your house
  4. things in your office
  5. things in your kitchen
  6. dogs
  7. animals
  8. buildings
  9. faces
  10. book covers
  11. food
  12. stripes
  13. triangles
  14. circles
  15. illuminated numbers
  16. chairs
  17. shoes
  18. shapes
  19. kids
  20. toys
  21. costumes
  22. bottles
  23. glasses
  24. patterns
  25. windows
  26. dance
  27. sports
  28. robots
  29. aliens
  30. fish
  31. birds

*****

Why I Created The ‘Big Blank Page’

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Why The ‘Big Blank Page’ is not for kids.

Kids, by default, get so much support for creativity.  Whether it’s in school, weekend or community activities or even art lessons on TV programs,  kids have a slew of options to explore,  get happy and experiment with all things artful and creative.

Adults, however, have fewer choices that offer the same spirit.  Which is why I think grown-ups need me more than kids. For now.

The class is also a forum where we discuss the ghosts of our creative past: from teachers who may have made careless comments about our work, to a family who does not believe in art, topics that young kids may not have experienced or  be fully aware of, and can prevent them from participating in the discussion.

sketchbook-class-copy

Grown-ups need a break from adulting.

Many of the classes for adults I see are either structured lessons or art “jams” with hobbyists and/or professional artists — both of which can be intimidating for those who feel too shy about their own work.

Sometimes, adults want to make art without the pressure of perfection, judgment, or being instructed to draw “the right way”.

Sometimes, we just want to make a lot of nothing, enjoy the freedom of the beautiful mess,  and draw for its own sake.

Because every line, shape and color is valid.

You will draw.

I will not argue with you if your convictions dictate that you cannot draw.

But I am of unwavering belief and faith that everyone can draw. And I mean EVERYONE.

It’s just a matter of to what degree you can draw.

It’s crucial to remember  two things: 1. that what is considered beautiful is highly subjective, and 2. there is so much beauty in imperfection.

There’s more to art than being a Michelangelo or a Rembrandt. There’s also Rothko, Pollock and Matisse.  And if you can draw like you, then I believe that’s the best kind of artist to be.

Regardless of what you say or do, hemming and hawing, you will and can draw something.

If the shoe fits.

Some people like to draw flowers, others like swirly things, some like smiley faces, others like to make dots.  The ‘Big Blank Page’ acts as a springboard for your own exploration as you discover the smoothest groove for your artistic movement, what feels most natural and empowering for you to do artfully.

The creative journey is not meant to be travelled alone.

This is perhaps the paramount reason why I created the ‘Big Blank Page’.  I got tired of creating art by myself. Then I thought to myself, “Maybe there are others out there who are just like me, looking for a safe and supportive circle where we can make art freely.”

Making art, I learned, is all about community.  And this creative spirit is the very sanctuary on which the ‘Big Blank Page’ is built.

 

 

 

 

 

 

 

 

So You Didn’t Go To Art School

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Well, neither did I.

And that’s okay.

Because it never stopped me from doing professional work as an artist.

Gosh, my head is bursting  with thoughts and ideas that it’s actually paralyzing so I’m gonna clear some cobwebs and all the clutter in my head by writing this out.

Or maybe… I’ll just bake bread?

Okay, fine!  I’ll write.

I’ll write.

So I finished with a degree in BA Psychology and if I had to live my life all over again, I would still choose to spend my four years researching, experimenting and reading all things Psychology. The one thing I would change, however, is that I would take non-academic art classes outside of university and start the actual doing of art immediately, and not procrastinate for 7 years (12 years, if you include the creative block).

Throughout my life, inside and outside of school, I’ve always been regarded as an artist, probably even before I could write.

But to be a working artist?

That was never an option back in the day. In fact, it wasn’t even considered a profession professional enough.   I was told that I would finish my degree and I was, in a way, pretty much expected to work in a “good” company where I would also retire.

Thinking about it, the idea just leaves a funny taste in my mouth.

However, I happily finished my Psychology degree, one which I enjoyed thoroughly and continue to be passionate about. But I’ve worn many hats since I finished school. Eight hats, if I’m not mistaken.  I have worked full time in a high school, a modeling agency, an international bank, a boarding school, a PR agency and  eventually juggled freelance art  with part-time hours in a modeling school and even a culinary school.  I also did food writing for some time which led me to start a food blog (hence, jarofsalt.com), and even had a radio stint for month as a news announcer. Heck, I even got certified to teach Stott pilates  two years ago.

Yet in all those years, I never really stopped making art. Whether it was made for myself or commissioned by a client, art was always my natural groove.

To eventually do what I really wanted to do (a late start at 27) and do art professionally was met with labels, resistance, that I was rebelling and that I was lost.

On the contrary, committing to make art as a profession was when I truly found myself.

colorful jars of paint

So, now what? You want to do art but there are probably a million and one reasons to not make art. But should the lack of art degree hold you back?

I think not.

In the era of the internet, there are so many ways to invent and reinvent yourself.

How does one become an artist in this day and age, then?

1. Be and Make.

It’s hard to be an artist if you’re not making anything at all. This makes sense, doesn’t it? Don’t pressure yourself, though.  No one expects you to make the next Sotheby-worthy masterpiece tomorrow (but feel free to do so if you can!). Start with doodling on the margins of your books. Make circles on your notebook. Draw a flower. ANY flower. So really, the first step to calling yourself an artist is to be one.

And that starts with making.

2. Commune.

I’ve spoken of my creative block many times over but what was the first step to break the ice?

I joined WordPress in 2011 and started blogging.  When I first joined WP five years ago, I lamented about the lack of art in my life.  Then one post led to the next, one comment after another.  And it got the ball rolling.  I managed to produce my first sketch after five years.  And things started rolling ever since.

There are also so many creativity, sketching, drawing and art groups on Facebook. I suggest you type in those words and see what shows up and resonates with you and your preferred medium. Discussions can be amazing, so much to learn, and sometimes all you need is a regular art challenge to get the juices flowing.

With social media, you can also follow artists who inspire you.  Many of them are active in real time.  Comment or write them an email.  Many of them will happily respond, you’ll be surprised 🙂

3. Learn.

The very first art class I took was for pottery, in 2006. And one of the things I did to break the ice after my creative block later on was to take another live class as well. This time it was for  printmaking. Unfortunately, I didn’t feel motivated or challenged enough in class 🙁 So I hope to revisit this someday as I still have a lot of printing ink in my work room 😮

I also tried my hand (literally) in calligraphy .  It’s a skill I thought I can never learn (or even enjoy!) because of my messy penmanship. But with proper instruction and like-minded people, it can be done.  My calligraphy obsession was short-lived but it lead me to Instagram to share my work.

And my social media life has never been the same ever since 🙂

Also, thanks to the internet you can learn all sorts of creative things from the comforts of your own home.  Check out online art classes from Creative Bug, Skillshare and even Lynda if you’re doing digital.  Also, find other artists to follow because many of them give online instruction.

There are a lot of free classes out there so maximize them, especially on YouTube.  However, I highly recommend saving and spending on some of the paid classes because quality education is truly worth having, no matter how small.

4. Read. A lot.

I haven’t read fiction and novels in years but I constantly buy art and design books. And magazines! Even though some of them are more expensive than a book.  And that’s because fine quality art and design magazines are produced with the content direction of a book.  Frankly, I don’t like reading highly visual material through a screen because  I’m a tactile reader and I like making notes and marks as I use them for reference as I work. Look for inspiring publications like Flow, Uppercase, Frankie and Anorak.

I remember a successful artist who told me to invest in art books. The more, the better. I whined, “It’s so expensive!”.

His reply was simple, “Why, how much do you think  would you have spent if you went to art school?”

That moment changed my perspective forever.

5. Promote yourself.

Before  online everything and social media, I found  art circles to be very cliquish. I still do, to be honest.  When I started in 2002, everyone was at the mercy of print editors to get your name and work out there. It was so hard to reach out to editors and it usually helped to have someone refer you first.  Yes, I’ve done cold calls to media heads back in the day and they proved to be very fruitful.  It was only when my art started to circulate among publications that my career kicked off.  Eventually, editors and producers were the ones requesting  to work together.

Nowadays, it’s so different. If you post your work on Facebook or Pinterest, friends can easily share your work. Before you know it, one thing leads to another and then you blink: your art is already out there.  Know this however: promoting myself makes me feel icky. But it has to be done and you will find a voice that you will eventually be comfortable with without being in-your-face salespitchy. 🙂

Not all platforms work for everyone, though. Some find their voice in Twitter, others on Pinterest. Many on Facebook.   In my case, Instagram is the one that catapulted my work and helped instil a structure in the way I do things creatively.    If you’re trying to build a system to strengthen your social media presence, check out this course by Melissa Camillieri.    I highly recommend it, seriously.

Sit on this and think about what you want to do with your art, whether you want to be paid for your services or simply want to do it for your own pleasure. Heck, you don’t even have to share it if you don’t want to.

But whatever you do, start small.  Be it a nicely-written grocery list, drawing random stick people on the corner of the newspaper, adding color to a homemade cookie, a hand-written postcard for a friend, a practice stitch on a sample cloth, or even just splattering paint on a piece of  paper for no reason at all.

What matters most, I believe, is to just make.

5 Reasons Why We Should Not Stop Drawing Doodles

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I cannot remember a time when I didn’t draw something and to this day, I still can’t distinguish my professional creations from doodles because they are one and the same.  I never had formal training and I missed that chance to study Fine Arts at the state university because I forgot to take my exam. That’s another story right there!

ideas for doodling

The definition of a “doodle” I came across is “to draw aimlessly when preoccupied”.  I did this a lot as a student because I had (and still have) a hard time focusing.  It caused problems for me, of course, because I was labelled as distracted and spaced-out. This meant getting sent to the guidance counsellor.

1. Doodling kept me alert while I listened in class, though. That’s what helped me make sense of all the thoughts streaming in.  It’s a bit of a detour and alternate route to learning, but it worked for me probably because the intuitive act of drawing is a good way to repel tension.  This creative ritual puts my entire being at ease, which allows me to think.

2. I doodle not because there is nothing going on in my head but exactly because there is too much going on in there.  And doodling is what harmoniously strings all the buzzing together into perfect harmony.

3. It’s possible people dismiss doodling as just some jumbled up, inane scribblings  and something for the hands to do to while your time away.   But I know that there are people out there that need a release and this kind of space in their heads to clear the brain of clutter so ideas can filter in gracefully. I believe the freedom in doodling creates a limitless sphere of nothingness in our heads where concepts, thoughts, shapes, words and colour thrive  — if only we let them .

4. Most of my paintings, and illustrations are harvested from this crude process. Of course this method cannot work for all tasks, especially those that are time-sensitive, those which require minute detail and precision.

5. But doodling, I believe, is a skill we are all capable of.  We joyously did this long before we even learned to write our name. But someone must have told us early on to stop making a mess, to stop wasting time, to only colour within the lines, or to draw a tree “this way”.  

So how does one learn how to doodle?  We just have to pause, relish the brief silence and simply remember.