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When Art Becomes A Little Less Fun (Part 3 of 3)

By April 4, 2017 April 7th, 2017 4 Comments

In an earlier post, I delved into the changes that happen when art is no longer something you do for fun, when it’s something you have to do because it’s your life, and it’s your job.

Things change when you do art professionally.   When things shift from hobby to industry, we become our own boss. Thus, parameters need to be defined and, like any other 9-to-5, work conduct must be upheld in all our transactions.  The goal of our craft is not simply about getting messy and mixing paints for its own sake.

It becomes about someone adding value in the world.

Art is not free

When I was 14, I hand-painted posters for an event in my local country club. It was something I personally pitched to the manager, and something I wanted to do because I was on summer holiday and I was running out of things to do.  The deal was they provided the materials, and I drew. I honestly think that was the start of my professional career! 🙂

One would think twice about asking a lawyer, a doctor or a carpenter to do work for free.  However, and quite sadly, many people will not hesitate in assuming that artists will be okay to do things pro bono. Up until recently, I still got offered mileage as payment, good golly.  In my opinion, mileage does not pay anymore, not in this era of social media with today’s generation of outspoken artists.  You can read my thoughts on this  here.

I’ll understand if it’s for a charitable cause that is in dire need of support, and it’s also your prerogative if you want to accept work  in exchange for goods and services that will be of use to you.  Be open to negotiations but refrain from doing things for free.  Doing things for a free meal? I say no.

I’ve also read about a lot of people on social media reaching out to designers and artists asking them for free items in exchange for a blog post and an Instagram feature.  It’s easy to get excited at the idea that someone else will talk about your work.

But here are some key questions to ask:  Who are they? What do they promote? How wide is their reach? And most importantly, how robust is their engagement? It’s not always about the number of followers that makes the difference so I’ll talk about this at a later post.  Always be on your guard when offers like these come your way because people who sincerely want to promote you on social media will do so out of their own free will because they truly believe in you.

The practice of doing art for free should be obliterated from our paradigm.

Refrain from apologising

I think a good number of artists have an issue quantifying work. It’s uncomfortable and makes people queasy. But over time, I learned to do this as gracefully as possible, with conviction and dignity. After all, art is work, mine and yours. The best advice I ever came across was in an article on the internet.  I cannot remember whose article it was but she said this: Never apologise for your prices.  

I used to be guilty of this when asked about my rates, ending it with “For the project, it costs $_____.  So sorry!”.   Now that I think about it, I can’t exactly remember why I was being apologetic yet it rolled offf my tongue quite easily.

Like I was apologising that I had to charge for art.

It was only when I accepted and embraced the full scope of my work and that it IS a job,  a profession like everything else and thus requires equal treatment like all other industries. Thus said, setting our professional fees respects global industry standards, ideally. It is rooted on size and materials (if it’s something like a painting), experience,  merit and scope of work. This makes your pricing clear, reliable and fair because it’s objective.  It’s not some numbers you pulled out of a hat or priced based on the level of emotion attached to your work.

The idea of a starving artist must die a swift and instant death right now and never be heard from again.  It is a poorly romanced idea of what makes an artist “real’.  When it comes to being a professional artist, there is much weight on the word “profession” as much as there is on “artist”.

The goal as working artists, aside from making beautiful art, is to make a living by being fair, sincere, trustworthy and credible across varying projects and clients. What our art means to people is just as important as who they’re dealing with, and our sense of commitment and purpose in all our endeavours.

To read Part 1, click here.

To read Part 2, click here.

Join the discussion 4 Comments

  • Ann Perrin says:

    Currently and in later life I am a poet and the idea of making any or very much money, ( except for very well known poets) is remote.
    I come from a family of Puppeteer’s and it was always ‘touch and go’ that we made a living. But overall we had twenty years of creativity and often well paid performances, including the puppetry for the feature film `Oh What a Lovely War’
    But puppets don’t get pensions! My parents went on to other things.
    I later became an artist, relying on exhibitions to eat? I don’t think so! I had to train to teach in midlife, but partly because by then I had two children to support on my own. Luckily I loved it all.
    You make a good point but surely to become a professional artist not only requires talent and training, but inherited wealth, a non artist partner, or some other finance in order to get established!
    Isn’t it inevitable too that there will be stints in attics with paint, clay, words or whatever!
    I now put films on YouTube for free. An artist is an artist? I make films because of an innate need to continue to develop creatively.
    I write a blog!
    I sometimes run free workshops but they often lead to paid work!
    My new collection of poetry is called ‘The Puppeteer’s Daughter’ a publisher kept me dangling for 7 months, so I withdrew and self published. Luckily I have recouped my investment. Yes I gave a few away, but have sold 39 to date! It’s in two shops and online.
    I’m not well known, but have got a short residency in a London park this summer and am being paid for it!
    Isn’t it all swings and roundabouts?

    • Jar Of Salt says:

      Hi Ann! I absolutely agree on all points. In an earlier post, I talked at length about my life as a non-artist and how this helped shape me into the creative I am today. I did wear many, many non-artist hats while doing art on the side to pay the bills. I was an English teacher for 13 years, a freelance one for the most part. I also worked in a bank, did public relations work, tutored kids after school and even became a food writer while doing art on the side because I was raised being told that art was not a full-time profession. It took me almost 20 years before I became a full-time artist. It was a route, in hindsight, I am thankful for because many of the people I met or worked with along the way helped me with my art career by ultimately becoming my first clients who have shown support, even through the years of my creative block. Also, this route allowed me the liberty to select the projects and people I work with very carefully. To this day, I have given out and done art for free and continue to do so, out of my own initiative, purely for fun with friends or for causes close to my heart.

      • Jar Of Salt says:

        Always good to hear from people. Thanks so much for being part of the journey through the years, Ann. Cheers!

      • Inge febriani says:

        Dear Cherie…

        I have been your follower since a couple of years ago…
        And i feel some deep resonance with your art…..
        I feel your words and your warmth honest heart…..
        I have been doing a liitle painting as a meditative journey but always on and off because of my Fear…
        I am almost 40 years in the next three months….
        I just divorce from my 13 years of marriage and i have one daughter and one special need son that both of them are not living with me….
        And this year is really challenging for me….as i feel like dying from my old self…
        Its like awakening….i am no longer myself….and it is something that almost everyone doesnt “accept”…
        Here i am in my 40’s trying to figure it out on my own….
        Its quite scary although i knew that the universe will always have my back….
        So when i started to play with colours and i find your arts…
        I feel like i can start fresh and bright…..
        Eventhough i have no idea about how to make a living….
        I was dreaming about being a painter with an open heart and share my love to the world….
        So thank you Cherie for your words and art…..
        Thank you for inspiring me….
        Thank you for existing….
        So much love for you….

        Inge

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