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Doodle Archives - Page 2 of 2 - The Jar of Salt

How Do Schools Kill Creativity?

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“Do schools kill creativity?”

When I first heard the profoundly entertaining words and witty perspective of Sir Ken Robinson, I almost cried. I post my creative process for people seeking their place in the sun, imperfections and all. Here is a man who said it all for me.

People’s unhappiness and confusion can be attributed to a general educational system that kills creativity, according to Sir Ken Robinson.

I remember how I used to get very mediocre grades in 4th grade, simply because I couldn’t remember the myriad of names in the muscular and skeletal system. I also recall how I was sent to the guidance counselor during my senior year because my teachers were concerned that I was not paying attention, that I was always, as they would say, “spaced out”.  I also needed to draw in my notebooks so I could understand what’s going on, and survived school by getting bonus points with my drawings in reports (Kids, back then we had no ClipArt gallery and no Google images!). The only reason I liked Math was when I got to draw shapes, angles and graphs using colored pens but I still almost failed anyway.

My math skills only improved when I started earning my own money after university, and my intelligence in science kicked off as soon as I started mixing artist’s solvents and when I started baking bread. I was also a late bloomer as a reader because I only liked Tintin comics, and colorful books with lots of pictures. I cheated through my book reports by spinning off stories from the summaries at the back (which my teachers saw through!).

Sir Ken Robinson raises an interesting point: that professors shouldn’t be the hallmark of success or intelligence because most of the time, they live in their heads. We have an educational system that works on everything waist up. Everything academic, everything cerebral is given much weight. He also mentioned that in 30 years, degrees will probably be useless and obsolete.

I actually believe him.

He mentions back in the day a diploma guaranteed him a job. Now, you need an MA because the BA isn’t good enough. The jobs that require the MA now need a PhD. He observes that you now have a bunch of people with sparkling degrees who stay at home andplay video games all day.

So now what?

As expected, I was never encouraged to be an artist or a writer because they said I will starve for the rest of my life. As a former educator in a mainstream school, I felt bad when students with mediocre grades in major subjects are regarded as a big joke by no less than the teachers themselves. I joined the educational system in hopes of finding students who are just like me and do better in their lives sooner than I did.                                                    

Although I became a working part-time artist at 27, I stopped a few years later when I hit a creative slump, riddled myself with debilitating self-doubt and one colossal creative block that spanned almost 5 years.   It was only in 2012 that I gratefully picked myself up, and rebooted my art career.  At almost 40, I have just begun working once again as a professional painter and artist.

And a full-time artist. Finally.

He also shares the extraordinary story of Gillian Lynne, the famous choreographer of “Cats” who was considered a below-par student who kept fidgeting and lacked focus. She was brought to a doctor by her mother to be examined for behavior. Her mother narrated Gillian’s “problems” to the doctor. Later on, the good doctor asked the mother to step outside with him so they could discuss privately. He turned the radio on and left the room. Then, he told Gillian’s mom to look inside the room to see Gillian dancing to the music playing all around the room. He advised her to send Gillian to a dancing school: “Your daughter is a dancer. Send her to a dance school.” And when she went to dance school, she saw everyone was just like her — kids who had to keep moving in order to learn.

Let the children dance, sing, cook, paint, sculpt, write and whatever it is that makes their hearts sing. People are not machines where data can simply be encoded, programmed, controlled and re-calibrated. We have feelings, we can taste, smell, hear, feel and see things.

If only we let the child’s imagination, senses and creativity flourish, change everywhere will be massive.

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A List Of My Drawing Pens

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I always get asked on Instagram what materials I use for my illustrations. So, here we go. A list of the blacks pens for drawing that sit on my desk right now.

pens for drawing

Calligraphy brush pen (whose name I can’t read)

I picked this up in Kinokuniya, if I recall correctly. But I’ve seen them in regular bookstores as well around Singapore, amongst the paintbrushes and bottles of black calligraphy ink.  I like using this for some of my bolder illustrations because of the varying line width it produces in my strokes.  It gives my work a more fluid look, which I love.  The good thing is I’ve seen these come in different sizes as well though I choose to use this wider one.

Stabilo Greenpoint

I love how this pen glides so smoothly. No, not all pens are created equal and not all pens glide smoothly across different paper textures. This one does.  I use it for lettering and I like how it doesn’t bleed and does not look too bold considering it’s a felt tip pen. Best of all, this pen is made of 98% recycled plastic so you’re doing Mother Earth a big favor!

A stubby writing pen called iSign 0.7

I bought this on a whim because it’s short and fits nicely in the small pockets of my bag.  However, ink tends to flow too much while writing that it produces lines which look bolder than a 0.8 pigment pen. And it bleeds through the paper causing messy blobs on the other side. This happens even if the sheets I use are relatively heavy  The only reason why I bought this was because of its size and for random bits of writing grocery lists and such.

Staedtler Pigment Liner 0.8

Permanent, archival and waterproof are three things I look for in a drawing pen.  Why? Because I don’t want my lines to smudge once I start layering it with colors.  Things like felt-tip pens, brush pens and other colored inks will make your black lines run unless they use this type of ink.  Of all the disposable lightfast pens I use, this is the pricier one thus far.

Pigma Micron 0.5

Another archival pen, Microns also come in various nibs and have proven to be very reliable as part of my pen selection.  Waterproof and indelible, it comes in handy if you like layering your work with other water-based pens and prevents it from creating one giant mess.  I don’t know if it’s just my luck or if others have had a similar experience but the Micron tips tend to fray and soften a lot quicker than the other brands.

Uni Pin Fineliner 0.05

Before I discovered any of the pens I’ve mentioned, Uni Pin was actually the one I used a lot.  Perhaps it was because it was introduced to us in our high school art classes but it’s extremely sturdy. Like the Micron and Staedtler pens, Uni Pins are archival, waterproof and permanent.  I have not had a Uni Pin’s nib go bad on me up to its very last drop of ink.

This list is not absolute and base it solely on the brands I’ve come across. Some people can produce stellar and jaw-dropping work using even just an ordinary blue Bic ballpen.  It’s absolutely inspiring!  Do experiment with different types and see what fits best with your choice materials and imagination.

Other than those I’ve mentioned, what pens do you use for drawing?

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Busting The Day’s Creative Block With Semi-Circles

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moleskine art

There are days when you just know what you’re going to do and make and there are days that are a bit of a struggle. Anyone feeling creatively stubborn today?

For this Moleskine spread, I chose one tiny element from my previous sketches, like the semi-circle, and just drew it over and over and over and over again. It’s a lot soothing and easier than it looks, I promise.

5 Reasons Why We Should Not Stop Drawing Doodles

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I cannot remember a time when I didn’t draw something and to this day, I still can’t distinguish my professional creations from doodles because they are one and the same.  I never had formal training and I missed that chance to study Fine Arts at the state university because I forgot to take my exam. That’s another story right there!

ideas for doodling

The definition of a “doodle” I came across is “to draw aimlessly when preoccupied”.  I did this a lot as a student because I had (and still have) a hard time focusing.  It caused problems for me, of course, because I was labelled as distracted and spaced-out. This meant getting sent to the guidance counsellor.

1. Doodling kept me alert while I listened in class, though. That’s what helped me make sense of all the thoughts streaming in.  It’s a bit of a detour and alternate route to learning, but it worked for me probably because the intuitive act of drawing is a good way to repel tension.  This creative ritual puts my entire being at ease, which allows me to think.

2. I doodle not because there is nothing going on in my head but exactly because there is too much going on in there.  And doodling is what harmoniously strings all the buzzing together into perfect harmony.

3. It’s possible people dismiss doodling as just some jumbled up, inane scribblings  and something for the hands to do to while your time away.   But I know that there are people out there that need a release and this kind of space in their heads to clear the brain of clutter so ideas can filter in gracefully. I believe the freedom in doodling creates a limitless sphere of nothingness in our heads where concepts, thoughts, shapes, words and colour thrive  — if only we let them .

4. Most of my paintings, and illustrations are harvested from this crude process. Of course this method cannot work for all tasks, especially those that are time-sensitive, those which require minute detail and precision.

5. But doodling, I believe, is a skill we are all capable of.  We joyously did this long before we even learned to write our name. But someone must have told us early on to stop making a mess, to stop wasting time, to only colour within the lines, or to draw a tree “this way”.  

So how does one learn how to doodle?  We just have to pause, relish the brief silence and simply remember.